Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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ISENBRANT, Adriaen
Portrait of Paulus de Nigro sf

ID: 07662

ISENBRANT, Adriaen Portrait of Paulus de Nigro sf
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ISENBRANT, Adriaen Portrait of Paulus de Nigro sf


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ISENBRANT, Adriaen

Flemish Northern Renaissance Painter, ca.1500-1551  Related Paintings of ISENBRANT, Adriaen :. | The Repentant Magdalen | Rest during the Flight to Egypt dg | Archangel St Michael, St Andrew and St Francis of Assisi sg | Virgin and Child Enthroned sf | Virgin and Child tt |
Related Artists:
Jean Francois Boisselat
Portrait de Francois, marquis de Barbe-Marbois (1745-1837)
Henri Lucien Doucet
France 1856-1895 was a French figure and portrait painter, born in Paris, where he studied under Lefebvre and Boulanger, and in 1880 won the Prix de Rome. His pictures are usually piquant, sparkling representations of modern life, eminently Parisian in style, but the audacious realism of his earlier work is not maintained in his later, which is somewhat characterless. His portraits in pastel are also notable. His most widely known picture is Apres le bal (After the ball, 1889). Other excellent examples are the portraits of Madame Galli-Marie as Carmen (1884, Marseille Museum); the Princesse Mathilde and My Parents (1890, Lyons Museum); A Spanish Woman (Pontoise Museum); and a Nude Figure (1890). He was awarded a first-class medal for pastel in 1889 and the decoration of the Legion of Honor in 1891.
Gerbrand van den Eeckhout
1621-1674 Dutch Gerbrand van den Eeckhout Location Dutch painter, draughtsman and etcher. He was the son of the goldsmith Jan Pietersz. van den Eeckhout and a great friend as well as a pupil of Rembrandt, according to Houbraken, who commented that van den Eeckhout painted in the style of his master throughout his career. This is certainly true of van den Eeckhout (biblical) history paintings, but less so of either his portraits, which gradually displayed more Flemish elegance, or his genre pieces (from 1650), in which he followed various trends; he adapted his style to suit his subject with sensitive versatility. He was also a gifted colourist and an artist of great imagination, superior in both these respects to such better-known Rembrandt pupils as Ferdinand Bol and Nicolaes Maes. Moreover, he was extremely productive, and there is at least one dated painting for virtually every year between 1641 and 1674. In addition, he created a large body of drawings comprising histories, figures, landscapes and genre scenes executed in various media, including watercolour. He also made several etchings, mostly studies of heads, such as the Self-portrait (1646; B. 66). He died a bachelor, aged 53.






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